© JEC/Carol-Anne Conway
Step two differed according to which design you chose to stitch. The box chart called for a blister stitch to be worked over each round knot but Tamura-san’s alternative method suggested working a weft layer foundation over the entire motive before working step three.
© JEC/Carol-Anne Conway
For both methods, Step 3 is to stitch the grid in #1 gold and to couch the intersections with a small straight stitch.
© JEC/Carol-Anne Conway
I am a bit of a teacher’s pet, but also I like to experiment with something new so there are no surprises as to which method I chose!
Happy Stitching
4 comments:
What a nice technique - thanks for posting this. Your work is beautiful. How is the fabric to stitch on? I have yet to work on a metallic.
Christine (Phase II-III), USA.
We have been traveling this week so I am only just catching up on all your Cambridge class posts. It is so grand of you to explain and show us these techniques.
Looking forward to the next instalment!
Kathy V in NM
I love the texture it gives the center of the flower.
Thank you all for your comments.
Christine, blogger does not appear to have a profile for you. Do you have a blog, I would love to see your work?
KV, hope you have had a good trip, next instalment coming up.
Melissa, the texture is great and much more pronounced than the pic suggests, I can see me using this again.
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