Monday, 27 August 2007

Gladys May Oakley


The loveliest person it has been my privilege to know is my Maternal Grandmother. She was a true lady. I never heard her curse or raise her voice. She was kind and loving, always supportive and never critical. Sometimes she would gently scold me but she was never angry with me. Like many women of her generation, she was not well educated but she was infinitely wise.

When I was young, I spent weeks at a time staying with her during my school holidays; such blissful days, when I was totally spoilt. Not with expensive gifts or indulgence but with loving attention. When I wasn’t playing with my good friend from two doors away, Nan and I filled our time with simple pleasures. During the morning we would do a few jobs. Monday was for washing, after which the kitchen floor was mopped. When the washing was dry, it was sprinkled with water and rolled ready for ironing on Tuesday. One day we would dust, sweep and vacuum, another we would do gardening, salt vegetables for storing, or make jam. After we made and ate lunch - either a light salad or cheese, biscuit, apple and celery - we would read a while or knit or crochet; more often that not Nan would fall asleep in her chair by the window and gently snore.

After dinner, we would watch a little television but if there were nothing interesting to watch we would play cards for pennies that were collected especially for that. At the end of the evening, no matter who had won what, all the pennies were collected together and put back into the bag ready to share out equally the next evening.

When I started work, I did not have enough holidays to stay with her so often. Mum and I would visit after dinner on a Thursday evening and the three of us would play cards at the kitchen table, catching up on family news and laughing together. And when I finally moved into my own home, I would go straight from work to have dinner with Nan and Mum would join us later.

For many years milk, bread and meat were delivered straight to her door and vegetables were grown in Granddad’s field along the road. A neighbour fetched small items from the local shop. Nan rarely had occasion to go the main shopping centre. On the rare occasion I drove her there, she would insist on paying me for my petrol even though I would insist I didn’t want paying for doing her a small favour. She was very independent and did not want to be a burden on anyone, but she could never be a burden to me, I loved her so much.

One Thursday evening, I went for my dinner as usual and Mum joined us later. We played cards, we chatted and we laughed together – Nan was always merry and had a lovely sense of humour. When we came to leave, we hugged and kissed and said "I love you" as we always did. At the door, I stopped and said that I had had a lovely evening, and that I wanted her to know that I did not simply SAY "I love you" but that I truly meant it. I told her that she had been an important part of my life and I was honoured to have known her. Those were the last words I spoke to her.

The following Saturday, Saturday 27 August 1994, my darling Nan died, aged 86.

The next time I saw her she was dead and, for a time, my whole world fell apart. Nothing I had ever experienced had prepared me for the pain I would feel in the following days and weeks. For a whole year, I cried every day and some days the pain was so numbing that I could hardly function. Gradually, I began to remember all those happy times we had shared, and I could think about her with a smile instead of tears. Sometimes I still cry when I think that we will never sit around the kitchen table again. I will never feel her warm hands patting my cheeks and see her dark eyes glinting with laughter. But mostly, now I remember her with real warmth and pleasure.

Death is a natural part of life. The death of those we love is something that we all have to deal with at some time, but learning to celebrate the time we had together, the love we shared, is something that comes out of the slow, painful process of grieving.

My Nan had six children and 25 grandchildren; she died two months before her first great grand child was born. If she had a favourite among us, she never let the others know; I truly believe that she loved us all equally, warts and all.

Gladys May Oakley, my life is richer for having known you. I will never forget you, and I will never stop loving you. Rest in Peace and God Bless You.

Lattice Holding Stitch, step by step

A while ago, I was asked how to do the lattice holding stitch. This stitch was taught to me on a Japanese embroidery course held by Japanese Embroidery UK and is fully detailed in The Techniques of Japanese Embroidery available from the Japanese Embroidery Centre.

I used this stitch on the Blue Eyed Boy and am using it again on the Pink Lady. First I covered the whole area in Vertical Foundation Stitch. I used a double strand of pale pink silk.

© Jennifer Ashley Taylor/Carol-Anne Conway

Next, I laid stitches across the whole area at a 45 degree angle to the foundation, taking care to space the stitches evenly and keep them parallel to one another. The area of the hind wing is rather small so I have spaced the stitches at 3mm in this case. I could have used a twisted silk of the same colour as the foundation or in a colour to either compliment or contrast the foundation. Here I have used twisted imitation silver.

© Jennifer Ashley Taylor/Carol-Anne Conway

I used the same thread to lay more stitches, this time at 90 degrees to the first laid stitches. to create a grid of small squares.

© Jennifer Ashley Taylor/Carol-Anne Conway

Finally, wherever the laid stitches intersect, I have tied them down with little couching stitches. I have used the same twisted silver thread for this but twisted pale pink could also have been used.

© Jennifer Ashley Taylor/Carol-Anne Conway

I think the finished effect is quite lovely.

© Jennifer Ashley Taylor/Carol-Anne Conway

Happy Stitching

Pink Lady, continued

So far this is looking exactly as I hoped it would. This shows why I love silk embroidery so much. This stitch, diagonal foundation, is simple to execute yet it looks simply stunning, I think.

© Jennifer Ashley Taylor/Carol-Anne Conway

Happy Stitching

Sunday, 26 August 2007

Pink Lady

The fore wings on this butterfly are divided into segments; as the segments rotate around the ring, so will the angle of the stitches. I began by marking the angle of the stitches onto the right-hand wing. I want the wings of this butterfly to look as if they are lifting off the silk background. To achieve this I have padded the leading edge of the wing.

© Jennifer Ashley Taylor/Carol-Anne Conway

I plan to keep the stitching quite simple and allow the silk to speak for itself. The segments will be embroidered in diagonal layer using 2 strands of deep pink.

© Jennifer Ashley Taylor/Carol-Anne Conway

Happy Stitching

Saturday, 25 August 2007

Silver Body

The thing that I find most challenging is stitching with metallic threads. You can only stitch with the fine gauge threads; heavier one have to be couched onto the surface. However fine, I find that metallics have a life of their own and need very delicate handling. I am stitching with a double strand of #1 silver. In my hands the pair of threads twist around each other so that they do not lay nicely; f I try to pull them through the fabric too quickly, or do not keep the thread under tension, it kinks; and if I get a little tetchy and tug too sharply, the silver shreds leaving me with the silk inner core.

Trying to do satin stitch over padding, in metallic silver, was nearly a challenge too far for me. First, I stitched the head. This went relatively smoothly; the threads had not started misbehaving and I was nearly in control. I then stitched the first and second segments of the body. Like small children on a car journey, I think the threads had become bored and started to fight with each other and with me. I persevered but was really not happy with the results and immediately removed it. My second attempt was a bit improvement, not as good as I would like it but I fear that the silk background would not stand a third attempt; this is as good as it is going to get. I did not pad the last body section (each section has progressively less padding) and the stitching when more easily, this may be in part because I was using a fresh strand of thread.

© Jennifer Ashley Taylor/Carol-Anne Conway

Next time I stitch with metallics, I will use shorter lengths and I think I will try using a single stand.

Happy Stitching

Friday, 24 August 2007

This One is for You, Mum

I have not done a design sheet for the ‘Mother’ butterfly; I have a clear picture of how it looks in my head. I hope it turns out the way I picture it. From the outset, I had planned to base her upon the mother crane in ‘The Family’ (phase 15) so the colour scheme was set to be pink. This is not a colour that I associate with my mum; her favourite colour is definitely blue – cornflower blue.

When I was transferring the design onto the silk, I felt strangely moved by this butterfly (maybe that was purely my emotion, knowing that this butterfly would represent my mum). Although the image is a butterfly, I see it as an angel and yet I don’t perceive my mum as an angel.

Excluding a few minor rows during my teenage years, I have never fallen out with my mum. She is the one person who never lets me down, never judges me, and never disappoints me. She may have faults, but they are not my concern. She has always been, and always will be, 100 per cent on my side and there is nobody else in this world that feels that way about me.

I know that not everyone has this kind of relationship with their Mother and I appreciate it all the more for this reason. Even within a close family, my mum and I know that the bond we share is something special, something to be treasured and not taken for granted.

Mum, I am blessed to have you in my life and I truly love you.

Thursday, 23 August 2007

The Optomist's Suit is Done

I want to include one colour from both ‘parent’ butterflies in each ‘child’ butterfly. Having ruled out gold from the ‘father’ I was left only with black or white and black was a none-starter. I stitched the edge of the fore wings with two strands of flat white silk, gradually changing the angle of the stitches so that they followed the curve of the wing.

© Jennifer Ashley Taylor/Carol-Anne Conway

Despite being white, this gave a very hard edge to the wing. I softened this by adding pale blue stitches of random length and spacing along the outer edge. I used a quarter strand of silk so there is only a hint of colour visible.

For the antennae, I used the same blue/silver katayori that I used to outline the large spots on the wings. Again it is couched with a 1-2 twist of pale blue silk. All that remains is to sink the ends of the antennae, but I will do that when all the butterflies are complete.

© Jennifer Ashley Taylor/Carol-Anne Conway

So the Optimist has his new suit, and I think he looks very handsome. I don’t know who is more proud, the Optimist or me.

Happy Stitching