Threads Across the Web

Tuesday, 13 October 2015

A Murder Mystery Weekend

Case History

Amy Mitten first came to my attention when she entered, and won, A Mirror to my Art in 2012. Her entry, The Mermaid Mirror, seemed innocent enough but my instinct told me that this was someone worth keeping an eye. Over the next couple of years Ms Mitten's name came up from time to time and it was becoming apparent that more and more women were falling under her influence. I began to collect together evidence of Ms Mitten’s activities which can, and will, be used later. These 'Keepsakes' seemed as innocent and harmless as the Mermaid Needlework Treasures but further investigation of Ms Mitten's business, Fibres to Dye For, revealed a shady side to her nature. To find out more, I had to find a way to meet the mysterious Ms Mitten.

For several years I have been closely monitoring a similar organisation, Thistle Threads. I have been posing as one of the cult's loyal followers who call themselves 'Casketeers'. Over time, I have earned the trust of other Casketeers and now have infiltrated their secret network on NING where I am able to monitor their communications. It was through this network that I discovered Ms Mitten was widening her net and ensnaring more unsuspecting victims with her 'Keepsakes'.

Although NING is an effective tool for gathering information, I still needed to get closer to Ms Mitten. I hooked up with a local chapter of Casketeers, called "The Sampler Guild". Although not a Sampler myself, my activities on NING have convinced them that my interests are sufficiently aligned with their own to give me an in to their circle. Originally, they agreed to 'casual' meet-ups to satisfy our unquenchable thirst for antique embroideries. Later they invited me to join them at an embroidery workshop and eventually I hit pay dirt when they asked if I would be interested in attending a training camp lead by none other than Amy Mitten, herself.

The event took several months to organise but eventually everything fell into place and last weekend I travelled to a secret location in deepest darkest Oxfordshire for my rendezvous with Ms Mitten. On my journey to the training camp I tried not to let the beautiful English countryside distract me from my mission but little did I know how dark the weekend would turn despite the bright autumn sunshine.

The project for this training camp was called 'Ten'. Was it purely coincidence that training began at 10 am on the tenth day of the tenth month? I noticed several of the ladies began taking notes; pretending to do the same, I made some notes on Ms Mitten.

As the class progressed it became apparent to me just how cleverly Ms Mitten's sting was constructed; the detailing was meticulous. I could tell that 'M' had researched her subject thoroughly and new exactly how to draw her victims in. Later that day I arranged to spend some time alone with 'M' by volunteering to chauffer her to the restaurant and back. By feigning interest in her 'story' I was able to interrogate her about her modus operandi. After I had returned 'M' to her lodgings I made some notes on what I had learned.

Despite the mysterious death, 'Ten' proved popular and Ms Mitten repeated it several times; each time there was another mysterious death. Now that I was aware of the dangers, I wondered if it was wise for me to return to the training camp the next day but I had a strong desire to get to the bottom of this case. My worst fears were realised later that day when I found myself staring at the body of a woman slumped across a sampler stained blood red! The curse of Amy Mitten had struck again!

Conclusion

Case unsolved!

A great deal more investigating is required and I shall, at a future date, look in depth at all of the clues gathered at the training camp. One thing is becoming evident; although apparently working alone, there are several more women operating similar schemes. The advent of the internet has afforded them the opportunity to ensnare their unsuspecting victims, indeed it seems that the victims themselves are unwittingly drawing in like-minded people. They all warrant serious investigation but my department is seriously under-resourced; I fear it may take more than one life-time to complete my mission. For now, I will continue to gather evidence of their activities and hope that one day I will have more time to dedicate to my investigations.

Disclaimer

All people and events are entirely real; no names have been changed to protect the innocent. The facts have been seriously distorted. Any suggestion that Amy Mitten or her company, Threads to Dye For, are involved in nefarious activities is a blatant lie made up by the author; they are not the views of any one else. The defamation of Amy’s nature is scandalously libellous. I whole heartedly apologise to Amy for this feable attempt to parody her own, beautifully crafted 'Ten' and can only hope that she can forgive me!

Wednesday, 7 October 2015

Long time, no post

Recently, my group leader at work asked if I have given up blogging. I said, “no, but I’ve not had much to blog about, because I’ve not done much stitching lately”. It is true that since April my mojo has been mostly absent but I have been doing some stitching and I do have some things I could write about, including a couple of classes.

My last few blogs were mostly about boxes so let’s continue on that theme. Last year I stitched the Silky Glow Sampler as a group project with some members of the Embroiderers’ Guild, Oxford Branch. When my friend Michiko saw it, she asked what I intended to do with it. I had no plans so Michiko suggested that it would make a nice box lid. Michiko makes beautiful boxes so I ceased the opportunity to request a box making lesson with her.

Michiko is so obliging that she not only agreed to help me make a box, she sourced all of the materials and pre-cut everything so that during the lessons all I had to do was construct the box*. My lessons were conducted as “evening classes” during our week long residential Japanese Embroidery course in March.

The box is made of a very stiff board. The inside is lined with paper and the outside is covered in fabric (linen). All of the components are glued. Because we had limited time each evening and because we needed to do things before the glue dried, we had to work quickly. I did not take a single photograph during the lessons (and, stupidly, I did not take any notes either) so I only have pictures of the finished box.

Actually, this is not the box that I made, there was a small problem with it so Michiko took it home to adjust, which turned out to be more of a reconstruction than a simple adjustment. Michiko made a whole new inside and returned the box to me at our next Japanese Embroidery course in April. This box was designed by Michiko to hold reels of silk and I use it to hold the silks for my current JE project.

But Michiko did not want to waste the inside tray that I had made during our classes so she removed it very carefully … and put it into another box for me.

I am using this one to hold supplies for my "evening" project so now whenever I am stitching I am reminded of my wonderfully talented and generous friend, Michiko. Thank you, so much, Michiko for all the work you put into preparing for the lesson and during the lesson, and thank you for my two beautiful boxes.

Happy Stitching

*to say "all I had to do …" seriously understates the amount of work involved in constructing the box!

Saturday, 14 February 2015

Happy Tenth Anniversary

Monday 14 February, 2005. I have been looking forward to this day since Wednesday, 8th September 2004. Now it has arrived I am feeling sick from a mixture of excitement and trepidation but I still have no idea how much affect this day is going to have on my life.

I am at a hotel in Bournemouth with complete strangers. I met ‘the strangers’ at dinner last night and again at breakfast this morning. They are very friendly and welcoming but they talk about things I don’t yet know about and use words I don’t yet understand. I think that everyone knows everyone else except me – that is not entirely true, there are two other ‘new girls’. I miss my (future) husband and feel very home sick. I think that I have made a mistake coming here. I don’t think I am up to the task ahead. I think I am going to make a fool of myself. But I am here now and this is something I really, really, want to do. I am about to take my first class in Japanese Embroidery.

When the class began those concerns were soon forgotten, not because I was feeling any more confident but because I simply did not have time to feel nervous or inadequate; there is so much to learn just to get going with Japanese embroidery. We ‘new girls’ were each assigned a mentor to guide us through the framing up process. Our tutor that week was also my mentor. Poor Jenny, I think I drove her mad with my incessant questions but she bore it with patience and good humour.

In order to keep up with the syllabus Ruth, Maggie and I (the ‘new girls’) were assigned homework at the end of each class. Ruth was staying at a guest house with her husband and took her homework to do there. After dinner Maggie and I would return to the class room and put in many hours to complete our homework sometimes working long after everyone else had retired for the day. The beautiful Maggie is a beautiful stitcher, I was in awe of her work right from the beginning.

By the end of that week I had learnt so much and some new and precious friendships had begun. Since then Japanese embroidery has become my passion. When I enrolled for my first class, I had not thought beyond that. I certainly had not envisaged that one day I would be aiming to go to Atlanta to do my Phase X. At that time I had not heard of Japanese bead embroidery (or even bead embroidery for that matter). Once I knew about it, I knew I wanted to learn it and as soon as a tutor qualified in the UK I enrolled for her first class. That was the beginning of a new adventure for my dear friend Sue and me but we never imagined that it would lead us to the JEC in Atlanta for Phase V and that we ourselves would qualify as Japanese Bead embroidery tutors.

At first, I only attended the spring class in Bournemouth once a year. Gradually I started going to shows to demonstrate JE and I think it was then that I realised how my confidence had grown since that shaky start.

When the lovely Denise and equally lovely Jane began classes in Garstang, whenever I could I joined their class. It has been a privilege to watch that group grow under Denise and Jane’s gentle tutoring. I was honoured to celebrate their 5 year anniversary with them in October last year. And there I have made more new friends. I travelled with a group of them to Japan in 2013 for a fantastic holiday. Something else I never imagined I would do.

Although I did not begin blogging because of Japanese embroidery, the majority of my posts have been about JE or beading. When I started blogging I searched the internet to see if anyone else was blogging about JE. At the time the only other person I found was Susan of Plays with needles. Over the years we have become good friends and I am very much looking forward to meeting Susan in Atlanta later this year.

Unfortunately there have been some sad points in this adventure. In the past couple of years we have said good bye to three friends. Pat Hooper, a tutor I barely got to know but whose embroidery and knowledge made a lasting impression on me. Jenny Orchard, a beautiful stitcher and gentle soul. And my dear, dear friend Sue. Sue was the first person to befriend me and the one who encouraged me to help at exhibitions and to join the group in Garstang. Sue was the one who would not let me stich at home on my own and made my join in. I miss her so much.

Sad times apart, the last ten years have been the happiest of my life. That is in no small part down to Japanese embroidery and the friends I have made through it. Both have become so much part of my life that I cannot image a life without them now. And it all began one evening in September 2004 when Margaret Lewis, my sensei, gave a talk at the Oxford Branch of the Embroiderers Guild. When I walked into Iffley village hall that evening and saw Margaret’s work, I thought they were the most beautiful embroideries I had ever seen. I was fascinated as I listened to her talk about the silks and the techniques involved. And as I watched her twist threads from the flat silk, I knew this was something I had to learn.

To Margaret and all of the other tutors who have patiently guided me, and to all my other JE friends, thank you for all that you have taught me, thank you for your support and encouragement, thank you from the bottom of my heart.

Happy Stitching.

Thursday, 12 February 2015

And Still Speaking of Boxes

For the past two and a half years I have been doing an online course, Cabinet of Curiosities Parts I and II by Thistle Threads. The course is as much a history lesson as an embroidery course. Part I focuses on the cabinet and provides the fundamental information needed to design, embroider and cover a wooden cabinet to make a replica of a 17th century casket. Part II focuses on raised embroidery (stumpwork). I have completed Part I, or rather I have read the history lessons of Part I, and am two thirds through Part II. The embroidery for the casket is a massive undertaking and I have decided not to make a start on it at least until I have completed Phase X of my Japanese embroidery and possibly not until I retire. There are some ‘small’ projects in Phase I and I hope to do some of those before I retire but have not started those yet. Part II has instructions for a raised work mirror which would be a good way to practice some of the techniques before I make a start on my cabinet but I’m not sure if I that I will do that. Beautiful as it is, I think I would rather invest the time in doing my cabinet.

Last November a group of ‘casketeers’ went on a Cabinet Tour of the east coast of America. I was not able to join them (I am saving my pennies and my holiday to go to Atlanta in October). One of the lessons in Part I is how to cover the wooden cabinet in fabric. Participants of the tour were given a practical lesson on how to cover the wooden trinket box that comes in the supplies kit for Part I. Grace, a UK based casketeer who did go on the tour very kindly reproduced this practical lesson for a few other UK casketeers including me! That is how I spent last Saturday.

All of the wooden carcases have been embossed with the Cabinet of Curiosities logo and Thistle threads so even in 300 years they will be easily recognisable as 21 century reproductions even though they will be antiques in their own right by then!

Here is the naked box waiting to be covered.

All services are covered. The outside is covered with paper to which the embroidery will be applied.

The inside is lined with coral silk and a stamped paper, made especially for this course is applied to the rim of the box. Marbled paper is applied to the inside of the lid.

I have met up with fellow casketeers a few times already so it was great to get together with them again. This get together took place in Marjan's home. Marjan is a prolific stitcher and her walls are adorned with an impressive display of her samplers. She also has a newly acquired glass cabinet which she is rapidly filling with Thistle Threads and Amy Mitten projects. As well as enjoying the company and perusing Marjan's work, I thoroughly enjoyed the workshop, thank you Grace for leading it, and was pleased to actually complete the task in a day.

Now all I have to do is the embroidery so I apply that to my trinket box!

Happy Stitching.

Speaking of boxes

Bento is the Japanese version of a packed lunch. They usually contain a selection of rice, fish or meat, and pickled and/or cooked vegetables. Commercial bento boxes are readily available at convenience stores, bento shops and at railway stations. We made several long rail journeys while in Japan and usually purchased a bento box for our lunch. I enjoyed everything about them, the beautiful packaging, the ornate tooth picks and most especially the food (I absolutely loved the food in Japan!).

Bento can also be homemade with the maker often taking time and care to arrange the contents in elaborate styles. Rice balls are sometimes decorated to resemble animals or popular characters from cartoons or comic books.

The boxes that contain the bento are as important as the contents. They are available in a dazzling variety of styles and even the ‘plain’ ones come in beautiful colours. Again cartoon characters are popular images on bento boxes as are traditional wood block pictures. Other boxes might be shaped to resemble something, such as houses, books or kokeshi dolls.

Not all bento boxes are mass produced and some of them are exquisite works of art.

I found this one at an antiques fair in Japan. We spent a morning there where Denise and I soon noticed, and then started actively searching for, the beautifully decorated boxes. Not all were bento boxes, in fact most of the boxes that caught our eye were writing boxes.

I can’t imagine putting my lunch my bento box. I did envisage using it as a ‘current JE project’ sewing box but I have not been able to bring myself even to do that. It sits on the top a book case in my sewing room and is the first thing I see when I enter the room.

Happy Stitching

Tuesday, 10 February 2015

Travelling Sewing Kit

Sanjo-Honke Misuyabari also sold a range of sewing boxes made of kiri or paulownia wood. Kiri wood is thought to be ideal for sewing boxes as they can be closed tightly which keeps needles from rusting. The boxes came in many sizes but I choose the dinkiest box they stocked. This darling travel sewing kit. The lid fits so precisely that the lettering on the front is stamped across the box and the lid to show the correct alignment when replacing the lib. The small characters on the right appear to be 三條本家みすや針 (Sanjo-Honke Misuyabari). I would love to know what the characters on the left say.

The accessories fit very snugly inside their box and are all made of the same fabric. There were many different fabrics and colours to choose between.

In the lid is a pin cushion and the box contains three spools of thread, a pain of mini snips and a packet of needles.

I have not used this yet but now I am reminded of how lovely it is, from now on this will accompany me on my travels.

Happy Stitching

Monday, 9 February 2015

Needles and Pins

So, would you like to see what I bought in Sanjo-Honke Misuyabari?

It may not look like much but to me it is a precious haul. The first thing on my shopping list was some handmade Japanese needles. The needles are so precious that each one is individually wrapped. The proprietor wrote the needle sizes on the front of each packet.

And on the reverse he wrote their names.

Inside each paper packet the needles are kept safe within a little foil package.

And here they are, my beautiful hand made needles purchased in Japan, from left to right oo-buto (#10), ai-chuu (#8) and kiritsuke (#5).

The needles purchase from the fishing shop were slightly less lovingly packaged. I imagine that the outer wrapper gives the name of the shop as well as the telephone and fax numbers. The needles were wrapped in a second piece of paper something like gress proof paper.

Inside that the needles are threaded into a piece of the same paper. I have no record of their sizes and cannot remember exactly what they are but I believe that they are #11, #9 and #7.

And here, for comparison, are a some of my JEC needles (far left), the Misuyabari needles and the fishing shop needles. We are told that there is only one needle maker left in Japan. The JEC and Misuyabari are so a like that they are most likely to be from the same manufacturer but the fishing shop needles are distinctly different and I suspect that they come from a different manufacture. They do not appear to be of the same quality. I have not used either the Misuyabari nor the fishing shop needles yet.

I also purchased this pack of pins. They are not hand made but these are useful when beading.

The other item on my shopping list was a tekobari. I already have two but again but, hey!

Happy stitching