Tuesday, 10 February 2015

Travelling Sewing Kit

Sanjo-Honke Misuyabari also sold a range of sewing boxes made of kiri or paulownia wood. Kiri wood is thought to be ideal for sewing boxes as they can be closed tightly which keeps needles from rusting. The boxes came in many sizes but I choose the dinkiest box they stocked. This darling travel sewing kit. The lid fits so precisely that the lettering on the front is stamped across the box and the lid to show the correct alignment when replacing the lib. The small characters on the right appear to be 三條本家 みすや針 (Sanjo-Honke Misuyabari). I would love to know what the characters on the left say.

© Carol-Anne Conway

The accessories fit very snugly inside their box and are all made of the same fabric. There were many different fabrics and colours to choose between.

© Carol-Anne Conway

In the lid is a pin cushion and the box contains three spools of thread, a pain of mini snips and a packet of needles.

© Carol-Anne Conway

© Carol-Anne Conway

I have not used this yet but now I am reminded of how lovely it is, from now on this will accompany me on my travels.

© Carol-Anne Conway

Happy Stitching

Monday, 9 February 2015

Needles and Pins

So, would you like to see what I bought in Sanjo-Honke Misuyabari?

© Carol-Anne Conway

It may not look like much but to me it is a precious haul. The first thing on my shopping list was some handmade Japanese needles. The needles are so precious that each one is individually wrapped. The proprietor wrote the needle sizes on the front of each packet.

© Carol-Anne Conway

And on the reverse he wrote their names.

© Carol-Anne Conway

Inside each paper packet the needles are kept safe within a little foil package.

© Carol-Anne Conway

And here they are, my beautiful hand made needles purchased in Japan, from left to right oo-buto (#10), ai-chuu (#8) and kiritsuke (#5).

© Carol-Anne Conway

The needles purchase from the fishing shop were slightly less lovingly packaged. I imagine that the outer wrapper gives the name of the shop as well as the telephone and fax numbers. The needles were wrapped in a second piece of paper something like gress proof paper.

© Carol-Anne Conway

Inside that the needles are threaded into a piece of the same paper. I have no record of their sizes and cannot remember exactly what they are but I believe that they are #11, #9 and #7.

© Carol-Anne Conway

And here, for comparison, are a some of my JEC needles (far left), the Misuyabari needles and the fishing shop needles. We are told that there is only one needle maker left in Japan. The JEC and Misuyabari are so a like that they are most likely to be from the same manufacturer but the fishing shop needles are distinctly different and I suspect that they come from a different manufacture. They do not appear to be of the same quality. I have not used either the Misuyabari nor the fishing shop needles yet.

© Carol-Anne Conway

I also purchased this pack of pins. They are not hand made but these are useful when beading.

© Carol-Anne Conway

The other item on my shopping list was a tekobari. I already have two but again but, hey!

© Carol-Anne Conway

Happy stitching

Sunday, 8 February 2015

A Needle in a Market

A couple of years ago I was lucky enough to visit Japan with a group of Japanese embroidery friends and my lovely hubby. The despoke tour was arranged for us by Gill Clay who also served as our tour guide while we were there. As well as a few of the countries' vast array of cultural and historic delights, our tour was taylored to our interest in textiles and included visits to some places that we had specificly requested. We had a very full intinary.

© Carol-Anne Conway

We were based in Kyoto and many of our visits were based in and around this ancient city. One such trip was to the Nishiki Market. The oldest, and most famed, part of the market is a long narrow shopping 'street' that specializes in food and is a great place to explore some of Japan's culinary delights. This lively part of the indoor market is what Gill had taken us to see but we knew that beyond "Kyoto's Kitchen", within a part of the market that had been modernised, and whose shops were more akin to western shopping centres, lie hidden a glimpse into yesteryear and an absolute gem as far as we were concerned. When Gill let us of the leash to expore the market for a couple of hours, a few of us set of to find Sanjo-Honke Misuyabari - the needle shop.

© Carol-Anne Conway

One of our group, Dee, had learnt of the needle shop from a post on the blog JustHungry. This post provided a good description of how to find the Misuyabari shop but, unfortunately, we had neglected to take this information with us on the day we visited the market, we had to rely on our memory of the blog and our inginuity to reach our goal. We searched for some time and were on the point of giving up when a flash of inspiration from Maggie lead us to the prize. We knew that we were in the vicinity and Maggie had spotted a shop selling traditional knives; she asked them where we would find the needle shop and they furnished us with directions. As it turned out we were standing virtually next to the small and inconspicusious allay way that lead to a small Japanese garden and there, in this oasis of tranquility, was the even smaller traditional store that is Misuyabar.

© Carol-Anne Conway

© Carol-Anne Conway

The shop is tiny, consisting of one counter and some shelves along one wall, but the contents of the shop are enough to make the heart of any needle(wo)man race. Needles - hundreds of needles beautifully arranged in the glass counter - and pins - exquisit little pins - and gorgeous wooden sewing kits. Everything a needle(wo)man could desire. Had we had the resources, I think that we would have purchased the entire contents of the shop. However, we could not initially see the items for which we had made this pilgrimage - hand-made embroidery needles. Luckily, Denise had come prepared with some sample needles and when she showed these to the gentlemen behing the counter they reached below the glass cabinet to retrieve the tray containing our quarry.

© Carol-Anne Conway

When we went our seperate ways, we had agreed a time and place to rejoin Gill and the rest of the group and we were aware that our time was rapidly running out but this was an experience not to be rushed. And besides, the gentlemen were not to be rushed; each item that we purchased was lovingly wrapped and labelled for future identification. I should perhaps mention that the gentlemen spoke no English and we speak no Japanese so the entire transation took place through a series of jestures, hand signals, smiles and squeels of delights.

© Carol-Anne Conway

I find it hard to express how much I enjoyed my holiday in Japan - every moment was a highlight - but this little excursion to Sanjo-Honke Misuyabari is one of my most treasured memories.

Here is a link to the post on JustHungry that describes how to reach the shop and has some lovely pictures. Here is a link to another blog post that describes their visit to the shop and has more lovely pictures. Happy Harikuyo

p.s. We had a second, unplanned, needle adventure in Japan. We visited an embroidery house in Kanazawa where a few of us took part in an embroidery workshop. I'm not entirely sure how it came about but the proprietors of the embroidery house arranged taxis to take us to their needle suppliers who were closed that day but agreed to open there store especially for us. When we arrived, we were a bit perplexed to find ourselves at a fishing tackle shop but, sure enough, they did stock hand-made Japanese needles in a range of sizes and were more than happy to sell us some. As at Misuyabari, the proprietors spoke no English (or so we thought, wait for it) so the transaction was conducted through the now familiar jestures and smiles. When we left the store and climbed back into the waiting taxis one of the gentlemen ran after us calling "Where from? Where from?" "England" we called back as we waved good bye. I had visions of them in the local sake bar that evening telling their friends "You'll never guess what happened today - a group of English ladies came into the shop and bought our entire stock of needles". And I can hear their friends saying back "Ha! You and your fisherman's tales!".

Saturday, 24 January 2015

Progress Report - January 2015

I began Sake Boxes in March 2014 at my annual five day class. At the end of that week I had completed the foundations on the sake box and on the outside of the ladle, one leaf and a pointed petal chrysanthemum.

© JEC/Carol-Anne Conway

I made little progress over the summer completing only the foundation on the inside of the ladle and one round petal chrysanthemum. It was only during, and after, a four day class in October that I really connected with this design and since then I have made steady progress. At first the piece seemed to grow very slowly and the amount still to be done seemed daunting. But I tried not to think about the whole task and to simply focus on the motif that I was stitching. Keeping the work covered with tissue paper and folding it back to reveal only the area you are working on helps to keep you focused on that area as well as protecting the rest of the work from dust and sunlight.

Before long, I had completed the silk embroidery in one small area. Then another. And piece by piece the picture is building.

© JEC/Carol-Anne Conway

Now, when I look at the whole picture, I am pleased to see how much I have done. This is quickly followed by a sinking feeling when I think about how much is still to be done and this thought is quickly chased away by a reminder of how much I am enjoying stitching this piece and a further reminder to just focus on one small area at a time.

© JEC/Carol-Anne Conway

In the past few posts, I have looked at the foundation layers, a pointed petal chrysanthemum, a round petal chrysanthemum, the leaves and the noshi papers. Until I get to the gold work on the vessels there will be nothing new to say about this piece, except for an occassional progress report.

Happy Stitching

Tuesday, 20 January 2015

Sake Boxes - Golden Chrysanthemum

This is by far the most challenging piece I have stitched so far. While I am really enjoying it, I don’t think that I am doing my best stitching. However hard I try the short diagonal stitches are just not as even and parallel as I would like. I try to accept that I am doing the best that I can at this time and hope to improve but I get frustrated when my stitching does not match up to my expectation.

© JEC/Carol-Anne Conway

That said, I feel I am improving with each and every flower. I felt that with the first few stitches on this golden chrysanthemum, even the padding, felt better than on previous flowers.

© JEC/Carol-Anne Conway

The silk is not as smooth as I would like but the stitches look more evenly spaced and parallel with a nice angle.

© JEC/Carol-Anne Conway

I am particularly pleased with the one point open space between each petal.

© JEC/Carol-Anne Conway

Happy Stitching.

Saturday, 17 January 2015

Sake Boxes - Gold Centres

I had not intended to do any of the gold work on Sake Boxes until all of the silk embroidery was finished but when I had done all of the silk embroidery on the central flowers it stuck me that it would be better to do their gold centres before I did the surrounding flowers.

© JEC/Carol-Anne Conway

I marked some guide lines to help me with the placement of the couching stitches. A pair of gold threads are couched in a spiral starting at the outer edge and finishing in the middle.

© JEC/Carol-Anne Conway

The first flower that I worked is almost in the very centre of the fabric and beyond my comfortable reach. I took my time and tried to keep the threads close together. I thought that I had done quite well but when I stood up and looked straight down I could see that there was a small gap between the pairs of threads.

© JEC/Carol-Anne Conway

The next flower (the red one in this picture) is just that little bit closer and I felt more comfortable stitching it. The white one is closer still but its irregular shape made it more difficult for me to stitch.

© JEC/Carol-Anne Conway

And the next one has an even more irregular shape. I am not sure if I like the way I have stitched this one.

© JEC/Carol-Anne Conway

By the time I stitched the last centre in this group of flowers I was starting to get a feel for working with gold threads again.

© JEC/Carol-Anne Conway

The gold centres really finish these round chrysanthemums off nicely. I can begin to see how this piece is going to look when it is eventually finished.

© JEC/Carol-Anne Conway

Happy Stitching.

Tuesday, 13 January 2015

Sake Boxes - Noshi Papers

Noshi quiet often appear in JEC designs and, indeed, there are some designs based on noshi papers. The strips of paper can be quite elaborate with a different design on each piece but the papers on Sake Boxes are rather simple - long, thin strips of paper tied into a bundle.

The strips are first outlined with Japanese running stitch and then stitched in diagonal layer – yes, more short diagonal stitches!

The papers change colour two or three times along their length. The colour change is perpendicular to the edge and, unusually for Japanese embroidery, the stitches overlap so there is no gap between the colours.

© JEC/Carol-Anne Conway

The noshi tie is done in gold so, of course, I am leaving that until later.

Happy Stitching