Saturday, 1 June 2019

Sake Boxes - Short Stitch Holding

In Japanese embroidery we make a lot of use of what we call foundation stitches. These are essentially what are commonly known as satin stitch. Satin stitch is generally used to fill relatively small areas; if a stitch length of more than about 1cm is needed to span an area, another filling stitch would be more likely be used. Japanese foundation stitches can be used to fill an area of any size but if the stitch length is more than 1 cm some form of holding stitch is needed to prevent the stitches from moving or sagging.

On the sake box and the outside of the ladle, the superimposed gold work serves to ‘hold’ the foundation in all but a few small areas. The inside of the ladle has no superimposed work so the long foundation stitches need to be secured with short stitch holding.

© JEC/Carol-Anne Conway

Short stitch holding (SSH) is the main focus of Phase six; a phase that I had really looked forward to and thoroughly enjoyed. On Mr Duck, the SSH is mostly used as a decorative effect. In most cases, as in this case, it is intended to be invisible!

There is more than one factor involved in achieving invisible SSH. SSH is very often applied to a foundation of twisted threads. The holding stitches have to align with the twist, otherwise they clearly show against the foundation.

© JEC/Carol-Anne Conway

When correctly aligned, the holding thread vanishes like magic! But, for it to vanish completely, the twisting of your foundation thread needs to be consistent.

© JEC/Carol-Anne Conway

Some of this I had begun to realise prior to doing the SSH on the ladle; some of it I had not really grasped before twisting and stitching the foundation. This, for me, is the paradox of the JEC course. Each Phase is intended as a teaching piece; I aspire to stitching each phase perfectly, forgetting that this is the first time that I have attempted these new techniques. I am trying to adjust my perspective and see the imperfections, not as mistakes, but as part of the process.

© JEC/Carol-Anne Conway

Happy stitching!


Rachel said...

Yes, it can be a little too easy, sometimes, to forget that a teaching piece is obviously not expected to be perfect. If you could do the technique perfectly, there would be no need of the teaching piece!

D1-D2 said...

I just learned how to do this :) I'm currently working on Hiogi. I really enjoy foundational work.