When I had removed the previously beaded motif and looked at the bare canvas I was completely overwhelmed by the amount of work required.
Floral Melody is approximately 12 inches wide by 6 inches high. Both sides are heavily beaded. All I could see was the hours and hours and hours of beading.
© JEC/Carol-Anne Conway
I reminded myself that I like beading and could happily spend hours and hours and hours doing it. I looked again at the design and noticed that it is made up of individual motifs, a few larger ones and lots of smaller ones. I decided not to focus on the whole but rather to concentrate on just one motif at a time.
© JEC/Carol-Anne Conway
In Japanese embroidery (beading included) you work the foreground motifs first. On
Floral Melody the motifs don’t actually overlap so I chose to treat the larger motifs as being in the foreground. Even the largest motif has several components; the flower, the stem, a few leaves and some bracts. I decided to work on this flower first.
© JEC/Carol-Anne Conway
Now that I have got going, I am really enjoying the beading this piece. It is true that I enjoy whatever I am working on but this one is pure JOY! The previous Phases have been somewhat repetitive, although that is not necessarily a bad thing in my book - I like that kind of work and find it very relaxing. The dynamic of this phase is completely different. It uses a greater variety beads and techniques, and each motif works up relatively quickly. It is fascinating to see the fanciful flowers and foliage emerging from the lines printed on fabric.
© JEC/Carol-Anne Conway
As with the Japanese Embroidery, each phase introduces a new technique. The new technique on
Floral Melody is
moriage which gives a 3 dimensional effect without the aid of padding beads. I am finding it a challenge to obtain an even, consistent look to the raised areas and have reworked them several times before I have something I’m satisfied with. As with most tricky techniques, the results are worth the effort.
© JEC/Carol-Anne Conway
Happy Stitching